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 Great Lebanese singer Wadih El Safi and young gypsy artist 
                    José Fernandez blend Lebanese songs and Spanish flamenco music, 
                    trading couplets in both languages and across 500 years separating 
                    the two styles.
 At more than 80, El Safi vocalizes gentle, warm and measured 
                    phrases, while Fernandez, 27, is restless, almost rasping 
                    and very much Flamenco. Eight of Safi's most popular songs have been translated into 
                    Spanish and the great singer has no doubt that music needs 
                    only very little translation to attract ears in other cultures. 
                    "Flamenco is very close to Arab music", he says. 
                    "The Arabs were in Andalusia for a long time and the 
                    forms were hybridized". As with any "fusion", the proof of the pudding 
                    will be in the eating. The instrumentation is mainly Arab 
                    - qanoun, oud, nay, violin, darabukka. There is also acoustic 
                    bass, plus two Flamenco guitars (one played by Fernandez) 
                    and an accordion. The affection between the two men is very striking. There 
                    is a language barrier and an age gap of 54 years; Safi dresses 
                    conservatively, Fernandez has long, flowing hair, but the 
                    contrasts seem only to bring them closer. Wadih El Safi learned songs originally from his grandfather, 
                    beginning at age 4 in his home village of Niha at the Chouf 
                    in Lebanon. "These were folkloric songs", he says. 
                    "When I came to Beirut, I had singing lessons and was 
                    taught by great musicians like Michel Khayyat and Salim Helou. 
                    All my family were good singers, but I was the only one who 
                    became a professional". In his long career, El-tSafi has not lacked faith in his 
                    own ability. "I have an outstanding voice -equal to 20 
                    good voices. And, of course, I choose words that penetrate 
                    the hearts of the people". Crucially, Safi has learned how to adapt his singing as he 
                    aged. "My voice used to be better, but now it has more 
                    wisdom "like old wine", he says, smiling.
 Fernandez is deeply appreciative of the association. "When 
                    Wadih sings, he is like a 24-year-old", he says. Fernandez 
                    has been going back and forth between Lebanon and Spain. When 
                    he met El Safi, the attraction between the two men was instant. 
                    "Even though Wadih lives in a house", says Fernandez, 
                    "he lives like a gypsy. He's very bohemian".
 José Fernandez was born to an Andalusian Gypsy family, most 
                    of whose members were musicians. From his grandfather, a well-known 
                    Flamenco singer and poet, he inherited his gypsy temperament 
                    and a very developed artistic sense. At the age of 4, he wandered 
                    around in gypsy ceremonies as a drummer, sitting in the lap 
                    of his uncle, or as a phenomenal child singer, which prompted 
                    a local newspaper to call him the "Mozart of Flamenco". 
                    Musician in his soul, he does not limit himself to mastering 
                    only one instrument. He is interested in everything that makes 
                    a sound: guitar, piano, all types of bass instruments and 
                    all the percussion instruments. When he was 12 years old, he formed his first group with 
                    his brothers and cousins under the supervision of his father, 
                    a great bass player who was the fist to introduce the instrument 
                    into flamenco in the 1960s. It only took a first concert in a gypsy wedding for this 
                    group to be classified as one of the best in the area. Hundreds 
                    of concerts and dozens of prizes later, chance brought Michel 
                    Eléftériadés, a young producer and a big aficionado of flamenco, 
                    and Fernandez on the same road. Since the first minutes, the 
                    chemistry was on, and the two men have known that by unifying 
                    their creativity and musical backgrounds, they would go very 
                    far. Michel took José with him to Beirut, Amman and Cairo, searching 
                    for the best musicians and for new inspirations. The fruit 
                    of this collaboration is an album which can be qualified as 
                    Mediterranean, since it had the color of the sea surrounding 
                    the Greek islands, the perfume of Lebanese blooms in the morning, 
                    the taste of the spices in Maghreb and the warmth of the sun 
                    in Malaga. 
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